DP Music Assessment Rubrics
Exploring Music in Context
Guidance on what each level means: What Each Level Means · Common Mistakes
Criterion A: Selection of Evidence
This criterion focuses on the diversity, breadth and balance of the chosen material that the student selects as evidence in the portfolio.
For the purpose of this task:
diversity and breadth are achieved by a choice of contrasting materials from personal, local and global contexts in at least two areas of inquiry
balance is achieved by equity in the treatment of the areas of inquiry studied and the treatment of contexts across the portfolio.
Well-chosen and appropriate evidence clearly supports the musical and extra-musical findings of the exploration.
Guiding questions
Does the student explore diverse musical material?
Is evidence well-chosen and appropriate to the exploration?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion B1: Conducting Musical Research
This criterion focuses on how well students extract musical and extra-musical findings, and how well they locate and explain these findings.
Guiding question
How well does the student communicate the findings?
How effective are the selected findings?
Does the student use accurate terminology?
How effectively does the student locate the musical findings?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-3 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 4-6 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 7-9 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion B2: Implications
This criterion focuses on how well students understand the implications of their research for creating and performing.
Guiding question
Does the student explain the implications of their research for creating and performing in the selected styles?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 2 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 3 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion C1: Understanding creating conventions
This criterion focuses on the understanding of creating conventions according and/or musical demands of the chosen style.
Guiding question
How well has the student realized the creating conventions of a musical style?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 2 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 3 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion C2: Understanding performing practices
This criterion focuses on the understanding of performing practices according and/or musical demands of the chosen style.
Guiding question
How well has the student shaped performing practices of a musical style?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 2 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 3 |
|
Accurate Proficient Purposeful Relevant Competent |
Experimenting with Music
Guidance on what each level means: What Each Level Means · Common Mistakes
Criterion A: Rationale and commentary for musical experiments in creating
This criterion focuses on the articulation of a persuasive and logical rationale for musical experiments in creating supported by a relevant selection of stimuli for experimentation. The commentary should clearly evidence and explain the musical decision-making processes that have guided the experimentation. For the purpose of this task, students provide:
a rationale that justifies the choices of source material, including the choice of contexts and areas of inquiry
a commentary that explains the experimentation process and the evolution of the experimentation stimuli.
Guiding questions
How well has the student justified their proposed experimentation and supported this with relevant source material and musical stimuli?
Is the explanation of the experimentation process and of musical decision-making convincing?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion B: Practical musical experiments in creating
This criterion focuses on the processes of musical experimentation in creating that generate innovative musical ideas with personal intent and purpose, resulting from informed musical decision-making.
Guiding questions
How effectively has the student conducted a series of purposeful musical experiments?
Is there practical evidence of informed musical decision-making in the musical experimentation process?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
| 7-8 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion C: Rationale and commentary for musical experiments in performing
This criterion focuses on the articulation of a persuasive and logical rationale for musical experiments in performing supported by a relevant selection of stimuli for experimentation. The commentary should clearly evidence and explain the musical decision-making processes that have guided the experimentation. For the purpose of this task, students provide:
a rationale that justifies the choices of source material, including the choice of contexts and areas of inquiry
a commentary that explains the experimentation process and the evolution of the experimentation stimuli.
Guiding questions
How well has the student justified their proposed experimentation and supported this with relevant source material and musical stimuli?
Is the explanation of the experimentation process and of musical decision-making convincing?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion D: Practical musical experiments in performing
This criterion focuses on the processes of musical experimentation in performing that generate innovative musical ideas with personal intent and purpose, resulting from informed musical decision-making.
Guiding questions
How effectively has the student conducted a series of purposeful musical experiments?
Is there practical evidence of informed musical decision-making in the musical experimentation process?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
| 7-8 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Presenting Music
Guidance on what each level means: What Each Level Means · Common Mistakes
Criterion A: Program Notes
Guiding questions
Does the student’s program address the four areas of inquiry?
How well are the student’s program choices justified?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
Criterion B: Musicality and technical proficiency of created works
Guiding question
How evident is musicality and technical proficiency in the created works?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-3 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 4-6 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 7-9 |
|
Accurate Proficient Purposeful Relevant Competent |
| 10-12 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion C: Musicality and technical proficiency of performed works
Guiding question
How evident is musicality and technical proficiency in the performed works?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-3 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 4-6 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 7-9 |
|
Accurate Proficient Purposeful Relevant Competent |
| 10-12 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion D: Musical communication
This criterion focuses on the student’s musical communication in different roles.
For the purposes of this criterion, musical communication includes musical intentions, expression, interpretation, notation, and audio quality.
Guiding question
How effective is musical communication in the different roles?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
| 7-8 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
The Contemporary Music Maker
Guidance on what each level means: What Each Level Means · Common Mistakes
Criterion A: Selection of Evidence
This criterion focuses on the nature of the evidence.
Guiding question
Is the evidence selected to document the project appropriate and well chosen?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
| 7-8 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion B: Discussion of the Process
This criterion focuses on how the student:
discusses the challenges and successes of the project
examines areas for development and strategies for improvement
evaluates the musical and collaborative choices made in relation to the stated aims of the project.
Guiding question
How effective is the process in relation to the stated aims?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-3 | In relation to the stated aims, the student:
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 4-6 | In relation to the stated aims, the student:
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 7-9 | In relation to the stated aims, the student:
|
Accurate Proficient Purposeful Relevant Competent |
| 10-12 | In relation to the stated aims, the student:
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion C: Technical and musical proficiency in the identified role
This criterion focuses on the demonstration of technical proficiency and musicianship relating to the student’s identified role in the final project.
Guiding questions
How effectively does the student demonstrate technical proficiency in the identified role?
How effectively does the student’s musicianship support the musical outcomes of the project?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1-2 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 3-4 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 5-6 |
|
Accurate Proficient Purposeful Relevant Competent |
| 7-8 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Criterion D: Organization and presentation
This criterion focuses on how well the student organizes and presents their work in the multimedia presentation.
Guiding question
How well has the student organized and presented their work?
| Marks | Level Descriptors | Possible Characteristics |
|---|---|---|
| 0 | The work does not reach a standard described by the descriptors below. | |
| 1 |
|
Ineffective Inaccurate Rudimentary Limited Superficial |
| 2 |
|
Inconsistent Formulaic Sufficient Suitable Reasonable |
| 3 |
|
Accurate Proficient Purposeful Relevant Competent |
| 4 |
|
Imaginative Resourceful Compelling Accomplished Excellent |
Assessment Terms
Click any term for its IB definition.
| Marks | Research / Written | Practical | ||||
|---|---|---|---|---|---|---|
| 1 | ||||||
| 2 | ||||||
| 3 | ||||||
| 4 |